Patrik LARRALDE
Feature film . Short film . Series . Commercial . Documentary . Show . Music book

"the zhow"
I am not the first show of my parents because my older brother occupied the stage solo for 5 years and a half. For 9 months, from behind the scenes of this family theater, I was able to be the privileged spectator of my mother’s emotions. I made my first public release on November 28, 1976 when my mother decided to put me in the spotlight. I do not remember that moment, nor the backstage, but sometimes the feelings that animate me arise from nowhere, no doubt from that time. In any case, I like to believe it. I am the grandson of a dancer, the son of a singer and a dancer. My parents, assisted by my older brother, transmitted to me the love of the show, in the street or in the hall.
“aRtibista”
I am a musician who draws his music from what surrounds him. Everything is spectacle: every person, every word and every situation. It is in this reality that I build my truth, thus weaving my art as an artisan. I grew up in Paris, where different cultures and peoples lived, like a big family. The urban streets were my first public scenes. At 18, I left popular Paris, at least the one I knew, to go to the Basque Country. There, I rediscovered my origins and the meaning of being «Basque». Then, I crossed cultural and social commitment, sometimes separately, sometimes together. This is how my artistic and activist consciousness was born, making me an "artivist"
composer
I am open to all artistic experiences, I have no barriers. I like the challenges. I compose orchestral, electro and traditional music; mostly for live shows, and also for animated films, documentaries, short films, feature films, and musical stories. My main characteristics are observation and listening.





Teaser composer
Hegoak (by P. Larralde)
NoLa - Double JE
Oum le dauphin (by P. Larralde)
Spring (by P. Larralde)
DuDa
Short film
Nortasuna
Audi (by P. Larralde)
Au revoir là-haut (by P. Larralde)
Zirimiri
Jusqu'à ce que la mort... (by P. Larralde)
- Shows
- Feature film
- Short film
- Series
- Documentary
- Commercial
- Musical book
Work
The work of a musical composer for the show or film varies according to several criteria:
- Project budget (independent film, short film, TV production, blockbuster)
- Type of composition (original composition, adaptation, use of existing music)
- Approximate working time
- Copyright and Assignment of Rights
Factor
Factors that influence the rate:
- Music duration → A music of 10 seconds or 1 minute will not have the same cost.
- Style and complexity → A simple sound environment will be cheaper than a complex orchestration.
- Assignment of rights → Total exclusivity (buyout) or remuneration by copyright.
- Urgency of the project → A short period of time can increase the price.
Estimation
Estimation of the tariff according to the remuneration model:
- Global package: Compose for the Whole Movie
- Music per minute reward: compose for some part of the music in the movie.
- Total assignment of rights: You can double or triple the fee.

